Monday, December 15, 2008

Lineage in Chinese Martial Arts

Baguazhang (八卦掌) master Cheng Tinghua (程廷華) was known for his friendliness and openness, and eventually taught baguazhang to many people, including Li Cunyi (李存義), Zhang Zhaodong (張兆東), Cheng Youlong (程有龍), Liu Bin (劉斌), and others. However, while Cheng Youlong (his eldest son) and Liu Bin are considered disciples of Cheng Tinghua, Li Cunyi and Zhang Zhaodong are considered disciples of Cheng Tinghua's master Dong Haichuan (董海川); in addition, Guo Zhushan (郭鑄山), who learned from Cheng Youlong, and Liu Zhenzong (劉振宗), who learned from Liu Bin, are considered disciples of Cheng Tinghua as well. Furthermore, Cheng Tinghua's second son Cheng Youxin (程有信), who was very young when Cheng Tinghua passed away, is also considered a disciple of his father, although he likely learned very little from him. What is going on?

Lineage has always been a characteristic feature of Chinese martial arts that remains important today as a partial method of determining a practitioner's authenticity; thus, it is useful to understand this somewhat complex idea. Basically, lineage consists of the following principles:
  • Lineage, at its most basic, is a formal teacher-student relationship similar to a father-son relationship
  • Lineage also acts as an "entry point" to a formal school (or family)
  • Lineage also preserves Confucian hierarchy, as per generations, as an extension of the father-son relationship that it emulates; a corollary of this rule is that actual parent-child relationships are automatically also equal to master-disciple relationships
  • Lineage is principally singular; one can have only one master (i.e., one cannot have more than one lineage)

Participation in a special baishi (拝師) ceremony, the details of which differ greatly by lineage and by master, differentiates simple teacher-student relationships from the master-disciple relationship. Once a disciple is formally inducted into a particular lineage, the disciple has permission to learn from the master (or learn more than other students from the master), as well as having implicit permission to learn from other students of the same lineage.

In some cases, a disciple may not learn from his master at all, or may have never even met him; these special cases are in general a result of an effort to preserve Confucian senior-junior hierarchy. It may be useful to label special types of discipleship to simplify discourse, as elucidated below.

Honorary Disciple:

Sometimes, teacher and student are of similar age, and in such a situation, a normal master-disciple relationship is not possible. In this case, the teacher asks his own master to make the student a disciple.

Similarly, if the student is already a lineaged disciple of another art, the generation relationships must be preserved - for example, if a 2nd generation baguazhang teacher wants to teach a 2nd generation xingyiquan teacher, the teacher cannot become the student's master, because they would be of the same generation.

Some examples of this kind of disciple include Li Cunyi and Zhang Zhaodong, who were originally of the xingyiquan (形意拳) school. Although they learned from Cheng Tinghua, since the three were of the same generation (and sworn blood brothers), Cheng could not have made Li and Zhang his disciples; thus, Li Cunyi and Zhang Zhaodong are considered disciples of Dong Haichuan, although they most likely did not learn anything from Dong. Another example is that of Guo Zhushan - Cheng Tinghua's son Cheng Youlong taught Guo Zhushan, but Guo Zhushan was already a xingyiquan disciple of Li Cunyi, making them both the same generation (as Cheng Tinghua and Li Cunyi were sworn brothers). As a result, Cheng Youlong taught Guo Zhushan in his father's name, making him Guo a disciple of Cheng Tinghua.

Posthumous Disciple:

When a teacher wishes to make his student a disciple of his own master but his master has already passed away, the teacher can hold a special ceremony anyway, officially making the student an official member of the lineage.

One example of this kind of disciple is Liu Zhenzong, who was good friends with and learned baguazhang primarily from Liu Bin. As Cheng Tinghua had already passed away when Liu Bin wanted to make Liu Zhenzong an official member of the baguazhang lineage, he had Liu Zhenzong made into a disciple of Cheng Tinghua. Another example is Si Gentiao (司根條), who was a good friend of Dong's disciple Liang Zhenpu (梁振蒲). Although Liang had intended to ask Dong to take Si as his disciple, by the time Si reached Beijing, Dong had already passed away; as a result, Liang took Si to Dong's grave and held the ceremony to make Si a disciple of Dong, although his baguazhang came from Liang.

Familial Disciple:

In most cases, a parent-child relationship is also considered a master-disciple relationship as the Confucian master-disciple relationship is modeled after the father-son familiar relationship already. In some cases, even if the child in actuality principally learned from others (not the parent), they are still considered disciples of the parent.

Some examples of this kind of disciple include Cheng Youxin, who was the second son of Cheng Tinghua (Cheng Tinghua died when Cheng Youxin was but a child) and Yin Yuzhang, who was the fourth son of Yin Fu (Yin Fu died when Yin Yuzhang was young as well).

In some cases, a parent gives his child to another lineage member of the same generation to become the master of his child. This is one of the few cases in which a person may thus in a way hold more than one lineage.

An examples of this kind of disciple include Liu Xinghan (劉興漢), who was the son of Liu Zhenzong, but Liu Zhenzong asked Liu Bin to be his son's master, after teaching him as a child.

Although the special types of disciples are detailed above, it is in general silently acknowledged that the latter types of discipleship are inferior to the "standard" type of discipleship (of which the best would be the first disciple), as disciples of the latter types are often not well-known or not mentioned. In addition, much confusion occurs as certain disciples are said to be lineaged to a certain master, or another (for example, Zhang Zhaodong may be said to be Dong Haichuan's disciple or Cheng Tinghua's disciple). It is thus important to realize that lineage is not a simple question of "who taught who."

Wednesday, December 3, 2008

The City

Well, I didn't submit my module in time for the Contest! Various problems hindered my progress and I thus did not get very far (yeah, yeah, excuses, excuses)... but maybe next time!

In the meantime, there is a new collaboration probject of sort - The City! Basically, several people have gotten together to build the City of Cities, dividing it in wards for each person to administer himself. So far there are 5 participants, including me!

I have thus started working on some new backgrounds and walls, although drawing such takes time for me... At the least I will have to fix up some of the unfinished walls I have sitting around (cave walls, trees, etc.) so that I can use them. Of course, I am also considering just using walls and backgrounds that others have made already, which makes sense since the rest of the city might be using them! At this point, there aren't that many walls in there, though...

In terms of ideas, right now I am fiddling with the following:
  • Five sectors (northwest, northeast, southeast, southwest, and central)
  • A fully aquatic sector (sort of like an aquarium!) - the perfect place to use all my aquatic-themed art
  • A primarily human sector
  • A primarily elven sector
  • A primarily "reject" sector (dwarves, gnomes, and worse!)
  • A spooky (?) sector inhabited by...
  • An extra futuristic level in the sky, the "City in the Sky" inhabited by robots and...
  • Magical gates for travel between parts of the ward (and maybe out!)
  • An extra extradimensional level (or two)

The picture above is a little experiment on making new backgrounds for this new project. Hmm - doing complex things like grassy ground is rather fussy. Will have to redo that part later!

Monday, December 1, 2008

Li Shao'an (1888-1977)

Li Mengrui (李夢瑞), whose style name was Shao'an (少庵), was a native of Nancaiyuan Village, Haiyang County, Shandong Province (山東省海陽縣南才苑村). When he was young, he moved to Beijing to study and work at Shandong Restaurant (山東飯館). At the age of 20, he became a disciple of 2nd generation baguazhang exponent Liang Zhenpu (梁振蒲). He later became sworn brothers with Li Wenbiao (李文彪) (Cheng Tinghua's (程廷華) disciple), Liu Dongchen (劉棟臣) (Yin Fu's (尹福) disciple), and Big Broadsword Wang Wu (大刀王五) (i.e. Wang Zhengyi (王正誼), Six Combinations Boxing disciple of Li Fengyan (李鳳崗)); of these, unfortunately, both Li Wenbiao and Wang Zhengyi were killed during the Boxer Rebellion in 1900. Like his teacher Liang Zhenpu, Li Shao'an was good at Daishou (a special technique of the bagua school), so people called him Iron Arm Li #4 (鉄胳膞李四). In 1948 he returned to his hometown and worked as a farmer. Unfortunately, Li Shao'an never took disciples, although he sometimes taught others in the bagua school.

Li Shao'an, Guo Gumin (郭古民), and Li Ziming (李子鳴) were the most famous of Liang Zhenpu's disciples, and the three often trained and studied baguazhang together.

Wednesday, November 5, 2008

Spearplay in Baguazhang

The spear methods of baguazhang passed down from Dong Haichuan (董海川) are distinct and extraordinary. Although there are many spear methods within the art, many lineages of baguazhang have only preserved the spear skills partially; few are the lines that have kept them all.

Fighting Body Spear (戰身槍) - this spear set, passed down in various forms through the many baguazhang lineages, is a spear set utilizing a single-headed spear. Although each substyle of baguazhang seems to have a different version of this set, all are generally linear spear sets utilizing both right-handed and left-handed methods.

Double-headed Snake Spear (雙頭蛇) - this special spear has two spear heads and is characteristic to the baguazhang method. In general, methods using this spear are practiced while walking on the circle.

The spear methods of Yin Yang Bapanzhang (陰陽八盤掌) (which is said by some to be the baguazhang lineage of Liu Baozhen (劉寶珍), who learned from Dong) is also of the two-headed type, but there are only five techniques total, according to Ren Zhicheng (任志誠):
  • Five Tigers Penetrating the Forest Spear (五虎穿林槍)
  • Tiger Sitting Posture (虎坐式)
  • Tiger Catching Posture (虎捕式)
  • Azure Dragon Swings Head Posture (青龍擺頭式)
  • Azure Dragon Twists Tail Posture (青龍絞尾式)

Liang style has many spear methods intact, with a version of Fighting Body Spear, Double-headed Snake Spear, Eight Spear (basic techniques), two-person sets, and so on.

The movements of the Double-Headed Snake Turning Spear set are given as a rather interesting poem, which is as follows:

Double-Headed Snake Turning Spear (雙頭蛇轉槍)

雙頭槍使世無雙 - Wielder of Double-headed Spear, Unequalled in this World
鳳凰展翅欲朝陽 - Phoenix Spreads Wings, Desiring to Face the Sun
左右鳳凰雙展翅 - Left Right Phoenix, Doubly Spreading Wings
青龍出水進下槍 - Azure Dragon Surfaces from Water, Advancing Low Spear
青龍翻身先掛下 - Azure Dragon Overturns Body, Initially Hangs Down
二郎擔山趕太陽 - Erlang Carries a Mountain, Pursuing the Great Sun
夜叉探海三環棒 - Night Devil Searches for Sea, Three Ringed Club
雙頭再翻劈砸槍 - Double-headed Again Overturns, Chopping Smashing Spear
左右勾開絆馬索 - Left Right Hook Open, Reined Horse's Ropes
老僧擔柴歸四方 - Old Monk Carries Firewood, Returns in Four Directions
太公釣魚陰陽手 - Great Duke Fishes, Yin Yang Hands
蒼龍歸海鎖口槍 - Blue Dragon Returns to Sea, Chained Mouth Spear
仙人指路三方進 - Immortal Points the Way, Three Directions Advancing
烏龍擺尾蓋下槍 - Black Dragon Swings Tail, Covering Low Spear
青龍抖甲左劈勢 - Azure Dragon Shakes Shell, Left Chopping Force
鐵扇閉門左右防 - Iron Fan Closes the Door, Left and Right Defending
偷步擺拿裏外進 - Stealing Step Swinging Clutching, Inside and Outside Advancing
雙蛇吐信不易防 - Double Snake Spits Tongue, Difficult to Defend
撩槍就使急進步 - Raising Spear Utilized Immediately, Hurrying Advancing Step
退步連環掛打強 - Retreating Step Continuous Rings, Hanging Hit Fiercly
要練手眼身法步 - Must Train Hands, Eyes, Body, Method, Steps
八卦第一雙頭槍 - Bagua Number One, Double Headed Spear

Another lineage of baguazhang still retaining the double-headed spear is the Cheng style line of Liu Bin (劉斌) in Beijing.

Monday, August 25, 2008

Ran (Urusei Yatsura)

Ran (ラン) is Lum's best friend since childhood (Lum, Ran, Benten (弁天), and Oyuki (おユキ) all grew up together), but she is also a bit crazy. Although she was a genuinely sweet little girl when she was young, even enduring the many times Lum accidentally dropped her from a tree, or left her to hit a large object, and so on, the final straw was when an older Lum became engaged to Rei (レイ), Ran's true love! At this point, something broke, and Ran gained two personalities - her sweet personality and her crazy personality. With the latter, she does her utmost to try to break Lum and Ataru apart, seduce Ataru (which is very simple to do), or otherwise cause havok.

Of course, in actuality her two personalities are two facets of the same personality, and eventually Ran mends her relationship with Lum little by little, as Rei and Ran start to spend a little time with each other (Lum no longer has any interest in the empty-headed Rei, although he still seems to want a relationship with her) .

For sure, Ran always had it hard, as the weakest of all her alien friends (Lum can fly and shoot lightning bolts, Benten is extremely tough and a powerful fighter, and Oyuki can control cold and ice at will) - Ran's only power is the ability to cause another to age by kissing them (and willing it). Although an alien herself, her only alien feature is pointed ears (which she often hides behind her hair when in her Earthling guise of Ran (蘭)). Although she sometimes tries to make up for her lack of strength by using alien machinery or artillery, her much stronger friends easily overpower her (after which she quickly apologizes, or flees!).

In the end, though, Ran is one of my favorite characters for some reason!

Tuesday, August 19, 2008

THAC0 Table Inflation

Through the 1st, 2nd, and 3rd editions of AD&D and then D&D, PC THAC0s experienced a sort of inflation, making their lives much easier in their quests for XP and treasure (and making DMs' quests to destroy them a bit more difficult (but not that much)).

In 1st edition, THAC0 advancement was irregular and ultimately limited (i.e. there was a value "cap"). PCs in general improved their THAC0s in increments of more than 1, but not at every level (i.e., fighters went from THAC0 20 to 18 at level 3), to balance similar gains of other classes (for example, clerics went from THAC0 20 to 18 at level 4). In general, fighters, rangers, and paladins were the best at combat, while clerics, druids, and monks were good as well; thieves and wizards were on the low end, but at higher levels, they received larger-than-normal THAC0 improvements (i.e. magic-users went from THAC0 19 to 16 at level 11, while thieves got the same at level 9). On the other hand, monsters had quite good THAC0s at lower HD (a 2 HD monster had a THAC0 of 16), but slowed in advancement as they got stronger, with a maximum THAC0 of 7 (at 16 HD).

In 2nd edition, THAC0 advancement was smoothed out and made regular; in addition, THAC0 limits were removed (except for monsters). Warriors thus now could look forward to a better THAC0 (by 1) at each level advancement, allowing them to be an edge (and some) ahead of their non-warrior peers. Thieves' low-level THAC0 improved a good deal as well, but at advanced levels they reached a similar level to their 1st edition counterparts; wizards THAC0s were similarly improved at low levels, but at higher levels, they became worse. Weak monsters had worse THAC0 as well, while stronger monster had slightly better THAC0, with a new maximum THAC0 of 5 (at 15 HD) (although PCs were no longer restricted by maximum THAC0s, monsters still were).

In 3rd edition, the regularity of 2nd edition was retained, expanding to include monsters as well, who simply used the same table as fighters (or other classes). Fighters started out with a better THAC0 by 1 at 1st level (until now, they started out with THAC0 20 like everyone else), while the other classes received boosts of their own. Priests and rogues (the new name for thieves) now were vastly improved in combat (thieves in particular - now they became equal to priests on the battlefield), while wizards became much better at combat as well - roughly about the level of thieves in 2nd edition.

Actual THAC0 figures to view and compare are as follows (values are for level 1, 2, 3, etc.):

Fighter:
1e: 20 20 18 18 16 16 14 14 12 12 10 10 8 8 6 6 4* 4 4 4
2e: 20 19 18 17 16 15 14 13 12 11 10 9 8 7 6 5 4 3 2 1
3e: 19 18 17 16 15 14 13 12 11 10 9 8 7 6 5 4 3 2 1 0

Cleric:
1e: 20 20 20 18 18 18 16 16 16 14 14 14 12 12 12 10 10 10 9* 9
2e: 20 20 20 18 18 18 16 16 16 14 14 14 12 12 12 10 10 10 8 8
3e: 20 19 18 17 17 16 15 14 14 13 12 11 11 10 9 8 8 7 6 5

Thief (Rogue):
1e: 20 20 20 20 19 19 19 19 16 16 16 16 14 14 14 14 12 12 12 12 10*
2e: 20 20 19 19 18 18 17 17 16 16 15 15 14 14 13 13 12 12 11 11 10
3e: 20 19 18 17 17 16 15 14 14 13 12 11 11 10 9 8 8 7 6 5

Magic-user (Wizard):
1e: 20 20 20 20 20 19 19 19 19 19 16 16 16 16 16 13 13 13 13 13 11*
2e: 20 20 20 19 19 19 18 18 18 17 17 17 16 16 16 15 15 15 14 14
3e: 20 19 19 18 18 17 17 16 16 15 15 14 14 13 13 12 12 11 11 10

Monsters:
1e: 19 16 16 15 15 13 13 12 12 10 10 9 9 8 8 7* 7 7 7 7
2e: 19 19 17 17 15 15 13 13 11 11 9 9 7 7 5* 5 5 5 5 5
3e: 19 18 17 16 15 14 13 12 11 10 9 8 7 6 5 4 3 2 1 0

*Maximum values

In general, 1st edition was the hardest to remember but the most interesting and the most balanced. In 1st edition, low-level humans and demi-humans were no match for grubby goblins, orcs, or lizard men; however, at high levels, humans and demi-humans were heroes, quite a bit more skilled than the monsters they came to dominate. Our 1st edition PCs also had epiphanies - usually at "name level." Maximum THAC0s also helped to retain game balance, with the idea that there is a limit to possible skill.

2nd edition was clearly easier to remember, but game balance was a bit worse and at high levels, PCs had it too easy. At least, clerics and druids should have been given incremental increases as well (i.e., 20 20 19 18 instead of 20 20 20 18) so that they did not have to be useless for so long.

3rd edition was even easier to remember (although multi-classing made things complicated anyway), but it seems that the non-combat classes became too good at combat.

Sunday, August 3, 2008

An Introduction to Baguazhang

Baguazhang (八卦掌), or "eight trigram palm," is a famous "internal" martial art centered in Beijing. Like the other internal martial arts of taijiquan and xingyiquan, baguazhang trains intrinsic energy, or "qi" (氣), and thus can be used effectively even in old age. Baguazhang is notable for several reasons:


  • Baguazhang is a Daoist martial art with unclear origins. Dong Haichuan (董海川), the expert who first made the style famous in Beijing, never made clear who or where he learned his skills from. Later historians have, however, pointed to likely influences such as the Longmen (Dragon Gate) branch of Quanzhen (Complete Reality) Daoism (道教全真龍門派), whose headquarters was the White Cloud Temple (白雲觀) in Beijing; one practice in particular, called Turning Heaven Veneration (轉天尊), has striking similarities to baguazhang's own circle walking practice.

  • Philosophically, baguazhang is based on the "Eight Trigrams" (八卦) of the Book of Changes (易經), an ancient book of divination, philosophy, and cosmology. As such, each technique is related to one of the 8 trigrams or one of the 64 hexagrams; techniques most often come in groups of 8. The Eight Trigrams consist of a combination of three lines that can be either Yin (broken) or Yang (unbroken); the set of eight shown here are displayed in the Fu Xi (伏羲) post-heaven (後天) order, i.e. Qian (乾), Kan (坎), Gen (艮), Zhen (震), Xun (巽), Li (離), Kun (坤), Dui (兌). These specify various divisions of reality, such as in nature (heaven, water, mountains, thunder, wind, fire, earth, marshes) or directions (NW, N, NE, E, SE, S, SW, W) (note that ancient Chinese drew compasses with south at top).

  • Two (or three) generations of baguazhang experts, starting from Dong Haichuan in 1864, were employed by Prince Su (肅親王) as guards and teachers at Prince Su's mansion (肅王府) and eventually the Forbidden City (紫禁城) itself. In particular, Dong's first disciple Yin Fu (尹福) taught the Guangxu Emperor (光緒帝) his art, as well as using his art to escort and protect the Empress Dowager Cixi (慈安皇太后) during the Boxer Rebellion (義和團).

Technically, baguazhang is known for its ability to move quickly, using spiral power (螺旋勁) to attack with palms and hidden legs, and defeating multiple opponents at the same time. The repertoire of baguazhang is extensive, including strikes, throws, locks, 72 kicks, and a great arsenal of weaponry as well. Baguazhang weapons tend to be either oversized (such as huge swords) or extremely weird (such as strange, multi-pronged, multi-bladed weapons). Although baguazhang includes a great variety of methods and skills, its main training method is the enigmatic practice of walking in circles (走圏).

In pop culture, baguazhang has been referenced by popular cartoons like Avatar: The Last Airbender (airbending is based on baguazhang) and Naruto (The Hyuga (日向) family's style of Juken (柔拳) is obviously based on baguazhang), as well as unpopular non-cartoon TV shows like Black Sash (whose main character (played by Russel Wong) practiced and taught baguazhang). Real-life baguazhang, of course, is quite different from its pop culture derivations; one of the best examples is demonstrated here by Ma Chuanxu (馬傳旭), 4th generation inheritor of Liang style baguazhang (梁派八卦掌).